Mockingjay (The Final Book of The Hunger Games) [Kindle Edition]

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Against all odds, Katniss Everdeen has survived the Hunger Games twice. But now that she's made out in the bloody arena alive, she's still not safe. The Capitol is angry. The Capitol wants revenge. Who can they think should pay for the unrest? Katniss. And what's worse, President Snow has managed to get clear that nobody else is safe either. Not Katniss's family, not her friends, not individuals of District 12. Powerful and haunting, this thrilling final installment of Suzanne Collins's groundbreaking The Hunger Games trilogy promises to be one in the most brought up books from the year.
A Q&A with Suzanne Collins, Author of Mockingjay (The Final Book of The Hunger Games)
Q: You have said from your start that The Hunger Games story was intended being a trilogy. Did it actually end the means by which you planned it in the beginning?

A: Very much so. While Some know every detail, of course, the arc in the story from gladiator game, to revolution, to war, towards the eventual outcome remained constant through the writing process.

Q: We understand you worked for the initial screenplay for a film to get based on The Hunger Games. What could be the biggest difference between writing a novel and writing a screenplay?

A: There were several significant differences. Time, for starters. When you will find yourself adapting a novel right into a two-hour movie you simply can't take everything with you. The story has to get condensed to fit the new form. Then you have the question of how best to consider a magazine told within the first person and provides tense and transform it in to a satisfying dramatic experience. In the novel, you never leave Katniss for the second and are privy to any or all of her thoughts so you'll need a method to dramatize her inner world and to produce it possible for other characters to exist beyond her company. Finally, you have the challenge of how to present the violence while still maintaining a PG-13 rating in order that your core audience can view it. A lot of things are acceptable over a page that couldn't survive on a screen. But how certain moments are depicted could eventually be inside director's hands.

Q: Are you able to consider future projects while working on The Hunger Games, or are you immersed inside world you are currently creating so fully that it is just too hard to take into consideration new ideas?

A: We have a number of seeds of ideas boating in my head but--given a whole lot of of my focus remains on The Hunger Games--it will likely be awhile before one fully emerges and I can commence to develop it.

Q: The Hunger Games is a yearly televised event through which one boy and something girl from each with the twelve districts is expected to participate inside a fight-to-the-death on live TV. Exactly what do you think that the appeal of reality television is--to both kids and adults?

A: Well, they're often set up as games and, like sporting events, there's an interest in seeing who wins. The contestants are generally unknown, which ensures they are relatable. Sometimes they have very talented people performing. Then there is the voyeuristic thrill—watching people being humiliated, or delivered to tears, or suffering physically--which I have found very disturbing. There's also the possibility for desensitizing the audience, to ensure when they see real tragedy playing out on, say, the news, it does not have the impact it should.

Q: Should you were expected to compete inside Hunger Games, exactly what do you believe your skill would be?

A: Hiding. I'd be scaling those trees like Katniss and Rue. Since I was trained in sword-fighting, I guess my best hope could be to obtain hold of your rapier if there were one available. But reality is I'd probably get of a four in Training.

Q: What would you hope readers will come away with when they read The Hunger Games trilogy?

A: Questions about how precisely elements from the books might be relevant of their own lives. And, when they are disturbing, whatever they might do about them.

Q: What were some of your favorite novels when you are a teen?

A: A Tree Grows in Brooklyn by Betty Smith
The Heart Is a Lonely Hunter by Carson McCullers
Nineteen Eighty Four by George Orwell
Anna Karenina by Leo Tolstoy
Slaughterhouse-Five by Kurt Vonnegut
A Wrinkle in Time by Madeleine L’Engle
Lord with the Flies by William Golding
Boris by Jaapter Haar
Germinal by Emile Zola
Dandelion Wine by Ray Bradbury
(Photo © Cap Pryor)


Gr 7 Up–The final installment of Suzanne Collins's trilogy sets Katniss in a more Hunger Game, but now it's for world control. While it is a clever twist about the original plot, it means that there is certainly less focus around the individual characters and much more on political intrigue and large scale destruction. That said, Carolyn McCormick is constantly on the breathe life in a less vibrant Katniss by displaying despair both at those she feels in charge of killing and at her motives and choices. This is surely an older, wiser, sadder, and extremely reluctant heroine, torn between revenge and compassion. McCormick captures these conflicts by changing the pitch and pacing of Katniss's voice. Katniss is both a pawn from the rebels and the victim of President Snow, who uses Peeta to try and control Katniss. Peeta's struggles are very evidenced in his voice, which goes from rage to puzzlement to an unsure go back to sweetness. McCormick also helps to make the secondary characters—some malevolent, others benevolent, and lots of confused—very real with distinct voices and agendas/concerns. She acts such as an outside chronicler in giving listeners just “the facts” but also respects the individuality and unique challenges of each and every from the main characters. A successful completion of an monumental series.–Edith Ching, University of Maryland, College Parkα(c) Copyright 2010. Library Journals LLC, a wholly owned subsidiary of Media Source, Inc. No redistribution permitted.